For Murderland Part 1: H8 –
“Perhaps he’s right. Perhaps that meat cleaver is our best hope for salvation. Or maybe he belongs in an asylum. MURDERLAND is a brutally shocking book. Demented. Logical. Disturbing. It can be crudely powerful one moment, tenderly skillful the next, so the reader never knows what’s coming. There’s no way to prepare. No way to protect yourself. Garrett Cook’s work has an edge … and it’s at your throat. ”
~ Robert Dunbar, author of THE SHORE and MARTYRS & MONSTERS
“A savage, very original satire that openly mocks the American demigod-like worship of worthless celebrity with a future where despicable murderers become our new focus of adoration. It’s as farcical as Swift’s “A Modest Proposal,” yet no less poignant.”-
“Action! Explosions! Hot broads! Garrett Cook is two-fisted Bizarro pulp. I love his stories”-
Jeff Burk, author of SHATNERQUAKE on my work in general
“One star”- Swiftyloop, Editor of the Paris Review, Professor of Bizarro Studies at the Sorbonne
“Garrett really does come up with the best stuff-”
Laws of Attraction Expert and Internet Personality Terri Plewa
“This book is so beyond good and evil … it’s beyond positive and negative reviews, beyond star-counting, beyond being liked or disliked. It describes a future in which serial killing, as a practice, has been rehabilitated through media exploitation and liberal sensitivity until it’s finally legalized as a sport, with its own scorekeeping commentators and an infatuated subculture of filking fanboys. And then against that dire background, Garret Cook tells a love story — a love triangle, actually, between a sweet young fangirl, her caring boyfriend, and the voices in his head telling him to kill.
If you have the serial-killer infatuation, then you’ve got to read this book. Cook’s portrayal of Reap culture disturbs because it’s so utterly how the world could be, if serial killer infatuation was just ten or fifteen percent broader than it is already.
I’m impressed by the ambition of this book. It’s an interesting new step for the psychonovel; the first-person madman as a mixture of identities and warring tendencies barely aware of each other is a spot-on model of a certain kind of human mind. The best parts, worthy of Jim Thompson, are those subtle moments where we see the warring personalities complaining about one another, manipulating one another, sneaking past each other like grumpy housemates in dark hallways.”-
Mykle Hansen author of Help! A Bear is Eating Me